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Vladyslav Shereshevsky
Items
Items
10
Views
Views
Estimated Total NFT Value
Est. Total NFT Value
All Listings
“Quarter 99” 140x180cm, 2019. Canvas, oil.
The bright colors of the 99th quarter carnival night in the work of Vladyslav Shereshevsky are an ode to vitality and beauty, the artist's call for expression and inner freedom. The burlesque atmosphere of the canvas reflects the rich color scheme, inviting the viewer to join the celebration.
'English', 190x150cm, 2018, Oil, Canvas.
'The unprecedented thickness of this report protected it from the danger of being read' - once said Winston Churchill and inspired Vladyslav not to create additional explanations for his portrait. Enjoy the monumentality of the most English of all Shereshevsky's portraits in all its unjustified seriousness.
'Golda' 200x150cm, 2016. Canvas, oil.
Golda Mabovich, Meir, Meerson - the portrait by Shereshevsky illustrates the legend of the XXth century, born in Kyiv, who conquered the hearts of millions.
Long Live Rock 'n Roll, 120x265cm 2019, Oil, Canvas
This painting tells about a simple idea of vitality and the sources of its inspiration: Starting his creative career in the era of Rock 'n Roll, the artist poured its sunset.
'Mama, I'm coming home', 150x200cm, 2018, Oil, Canvas.
'Life is harsh, but there’s no justice' - the shrewd glimpse depicted by the artist, takes us into a cocktail of memories of how, on the way to the gymnasium, as a child, Golda lost consciousness from hunger and into the grandeur of her figure over the years.
Victim 170x130cm, 2020, Oil, Canvas
Sereshevsky's “Victim” contains the author's allusion to the problems of social justice and violence in Western society.
'To paint, so the queen', 190x150cm, 2018. Canvas, oil.
The portrait of Vladyslav emphasizes that the Queen of Great Britain and the Commonwealth kingdoms from the Windsor dynasty, Her Majesty, Elizabeth Alexandra Maria Windsor, is smiling charmingly.
'Susanna and the elders', 100x150cm, 2019. Oil, Canvas.
The work departs from the traditional leitmotif, presenting an illustration to the second part of the Biblical legend 'About Susanna and the Elders.' In his work, Shereshevsky raises questions of the value of truth.
“Nezabarom” 125x170cm, 2019, Canvas, Oil. (Not behind the bar).
The artwork depicts french art community of the early 20th century
“Superstar”, 170х130cм, 2021. Canvas, oil.
Look, he’s got a like! Vladislav Shereshevsky's poignant work raises questions of the simulative nature of social preferences and the sarcastic critique of metamodernism that extols form over semantic qualities.
Items
“Quarter 99” 140x180cm, 2019. Canvas, oil.
The bright colors of the 99th quarter carnival night in the work of Vladyslav Shereshevsky are an ode to vitality and beauty, the artist's call for expression and inner freedom. The burlesque atmosphere of the canvas reflects the rich color scheme, inviting the viewer to join the celebration.
'English', 190x150cm, 2018, Oil, Canvas.
'The unprecedented thickness of this report protected it from the danger of being read' - once said Winston Churchill and inspired Vladyslav not to create additional explanations for his portrait. Enjoy the monumentality of the most English of all Shereshevsky's portraits in all its unjustified seriousness.
'Golda' 200x150cm, 2016. Canvas, oil.
Golda Mabovich, Meir, Meerson - the portrait by Shereshevsky illustrates the legend of the XXth century, born in Kyiv, who conquered the hearts of millions.
Long Live Rock 'n Roll, 120x265cm 2019, Oil, Canvas
This painting tells about a simple idea of vitality and the sources of its inspiration: Starting his creative career in the era of Rock 'n Roll, the artist poured its sunset.
'Mama, I'm coming home', 150x200cm, 2018, Oil, Canvas.
'Life is harsh, but there’s no justice' - the shrewd glimpse depicted by the artist, takes us into a cocktail of memories of how, on the way to the gymnasium, as a child, Golda lost consciousness from hunger and into the grandeur of her figure over the years.
Victim 170x130cm, 2020, Oil, Canvas
Sereshevsky's “Victim” contains the author's allusion to the problems of social justice and violence in Western society.
'To paint, so the queen', 190x150cm, 2018. Canvas, oil.
The portrait of Vladyslav emphasizes that the Queen of Great Britain and the Commonwealth kingdoms from the Windsor dynasty, Her Majesty, Elizabeth Alexandra Maria Windsor, is smiling charmingly.
'Susanna and the elders', 100x150cm, 2019. Oil, Canvas.
The work departs from the traditional leitmotif, presenting an illustration to the second part of the Biblical legend 'About Susanna and the Elders.' In his work, Shereshevsky raises questions of the value of truth.
“Nezabarom” 125x170cm, 2019, Canvas, Oil. (Not behind the bar).
The artwork depicts french art community of the early 20th century
“Superstar”, 170х130cм, 2021. Canvas, oil.
Look, he’s got a like! Vladislav Shereshevsky's poignant work raises questions of the simulative nature of social preferences and the sarcastic critique of metamodernism that extols form over semantic qualities.
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Here at Datavault® we're working to bring amazing innovations to the management and monetization of data.
In the meantime why not subscribe to our newsletter? We'll keep you up to date on our new products and NFTs!